Learn About Opera

What is Opera?
An opera is a musical comedy or drama where the actors sing rather then speak their lines. The word "Opera" is derived from the Italian word opus, which means work of art.

An opera tells a story. It can come from many sources, including history, current events, magical, Bible, and fairy tales, legends, literature, poetry, and mythology. Opera can be funny, sad, scary, dramatic, mysterious, imaginary, or a combination of the above.

Opera is a combination of many art forms: singing, orchestral music, acting, dancing, mime, costumes, scenic design and painting, lighting, and makeup design, and it is the excitement and magic of this combination that generally attracts people to opera.

The Composer writes the music for the opera. All of the music, both vocal (for singers) and orchestral (for instrumentalists) is written in the Score. The score should reflect the mood, events, and emotions of the characters in the story.

The Libretto contains all of the words of an opera. The Librettist is the person who writes the words for the opera.

Characters are the people in the story. Singers perform the parts of the characters. These parts are also called Roles.

A Synopsis is a short summary of what takes place in the story.

Opera is a musical form, and an Opera is structured like a play, with acts, scenes, and a variety of vocal forms including Arias (solos), Ensembles (for 2 or more singers), and Chorus (for a large group of singers).

The orchestra provides the overriding musical texture, while the singers are featured as soloists.

The Overture is a piece of music played by the orchestra to begin the opera. The Recitative is the sung narrative which propels the action of the story. An Aria is a solo number for a singer, and comes from the Italian word meaning tune or song. This is usually where the characters express their feelings about a situation. An Ensemble is sung by 2 or more people. Two people singing is called a duet; three people singing is called a trio, four people are a quartet, and so on.

Choral scenes usually feature the principal and secondary cast members and the chorus. The sheer number of voices on stage is usually reserved for moments of high drama and spectacle. Dancers might also be featured in a big choral scene.

Operas are often performed in a Foreign Language (usually the language for which they were originally written). Even if you cannot understand the language, you can usually get a good idea of what is happening from the music and the actions of the characters. In many opera houses and theaters, surtitles are available. Surtitles are translations of the foreign words that are projected above the stage during a performance to help the audience follow the story.

Props, or "Stage Properties," are visual elements of the scene rather than actually being part of the set. Small props that are picked up and carried by performers are called "hand props." These can include fans, knives, candlesticks, books, magic lanterns, etc. Larger items, such as pieces of furniture or paintings, are called "set props."

Scenery or Sets provide the visual background for the story. Sets can reflect the locale, historical circumstances of the plot, and reflect the overall interpretation and conception of the opera as determined by the production team. They are conceived by the Scene Designer and executed, or built, by the Technical Crew under the guidance of the Technical Director.

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Who Is Involved in an Opera?
The Music Director is responsible for the interpretation of the score. He or she is also generally the Conductor, who is responsible for the musical interpretation and coordination of the performance. This is the person you see standing in the orchestra pit waving their arms at the singers and musicians.

The Soprano is the highest female voice. This is usually the heroine of the opera and most of the time she is in love with the tenor. A star soprano is often referred to as the "Prima Donna."

A Mezzo-Soprano is the second highest, or middle, female voice. The mezzo voice is typically has a darker, warmer voice than the soprano. The mezzo is usually either a bad guy (like a witch) or a boy. When the mezzo plays a boy, she will be dressed in men's clothes. This is called a "Pants Role."

Alto - also called Contralto, this is the lowest female voice. The alto often portrays an old woman, who can either be wise and good or an old witch.

Tenor - this is the highest male voice. The tenor is usually the hero of the opera and is generally in love with the soprano.

Baritone - this is the next lowest, or middle, male voice. The baritone is often a villain but can sometimes be a hero who sacrifices himself for the tenor and/or soprano. In a comedy, the Baritone is usually the one pulling all kinds of pranks. The Baritone is often in love with the soprano but usually loses her to the tenor.

Bass is the lowest of the male voices. He very often plays a wise old man or a comic character.

Supernumeraries (or "Supers") appear on stage in costume in non-singing and non-speaking roles.

The Orchestra is the group of instrumentalists who accompany the singers. They play under the stage, in the orchestra pit, where they will be less likely to cover the singers and detract attention from the performers on stage.

The Chorus is a group of singers who function as a unit on stage. Choruses can be for mixed voices, men only, women only, or children. They are usually featured in crowd scenes where they can represent townspeople, soldiers, pilgrims, etc.

Dancers are often included in an opera They are usually part of large crowd scenes but can be featured in solo roles as well. Many operas include ballet.

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Who are the others stars behind the scenes in an opera production?
Where do you start if you want to put on a production of an opera? Usually the General Director, Artistic Director or Music Director will pick the repertoire, or productions for the season.

The performance is conceived by the Production Team, which consists of the Music Director/Conductor, Stage Director, Choreographer, Scene Designer, Costume Designer, Lighting Designer, and Technical Director. These people meet frequently to trade ideas and work together to ensure a cohesive interpretation of the piece, from a visual, dramatic, and musical standpoint.

The Stage Director (sometimes simply called Director) is responsible for the overall look of the production. He tells everyone on stage how, when, and where to move, creating "stage pictures" that enhance the story.

The Choreographer designs the steps for the dancers.

The Costume Designer designs and creates the clothes that the character wear. They try to pick designs that reflect the characters and their significance in the story.

The Scenic Designer creates the ideas for the visual background of the production. He or she must create detailed blueprints and models of the sets and be sure that the scenery fits in the stage area.

The Lighting Designer creates a lighting plan that emphasizes the drama of the moment. Lighting design is an important visual element that contributes to the ambiance of the stage setting and affects the appearance of people, costumes and props on stage.

The Technical Director supervises everyone who is implementing the concepts of the designers. He or she works with carpenters, painters, electricians, sound designers, and stagehands and oversee the building of sets and props, and hanging lights.

The Stage Manager runs the visual elements of a show during the performance. They are also responsible for calling all of the cues for the performance to the crew. This means that they must follow hundreds of detailed notes in the score and tell the crew when to change lighting, scenery, sound effects, and raise or lower the curtain. The Stage Manager is the one who tells the Conductor when it is time to start the performance, and lets all participants know when intermissions begin and end.

The Crew works behind the scenes and is responsible for setting up and running all of the equipment for a performance, including changing sets, props, running the lights, curtains, trap doors, sound effects, and assisting performers with costumes and makeup.

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Other opera terms
"Pants Role, " also known as a "Trouser Role," is when a female plays the part of a boy whose voice has not yet changed. This convention became very popular in the 17th Century. Women's voices are stronger than those of young boys and it was easier to hear them through the orchestra.
Cadenza is a section of an aria where the singer may improvise, usually in such a way as to best display their vocal talents. Cadenzas are virtuosic and rhythmically free.
Falsetto is when a man sings in a very high voice. This is often done for comic effect.
Voice Range is how high or low a particular voice type can sing. The coloratura soprano has the highest voice range, while the bass has the lowest.
Accompanist is someone who plays the piano while a vocalist is singing.
Encore is a piece that is performed after the last scheduled piece of a concert. An encore is usually performed because the audience wants to hear more music even though the concert is over.
Bravo is the Italian word for expressing appreciation to a male performer.
Brava is the Italian word for expressing appreciation to a female performer.
Bravi is the Italian word for expressing appreciation to two or more performers.

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Opera Fears!
I won't understand it.
The days of attending opera and not understanding a lick of what's going on are over. Thanks to the invention of supertitles in the mid-1980's, you no longer need to be fluent in a foreign language to understand the opera. Supertitles or surtitles are English translations of what is being sung projected above the stage.

I have to dress up.
Many years ago opera was just for the elite class and royalty, and thus patrons felt it necessary to dress to the nines when attending opera. Nowadays, opera is open to everyone and there is no dress code. People come to the opera dressed in everything from jeans to evening gowns, so please feel free to attend the opera in whatever clothes you feel comfortable.

All opera singers are fat, screaming ladies in horned helmets.
"It ain't over 'til the fat lady sings" is a phrase typically associated with opera, and the image of a fat woman in a horned helmet screaming away in a foreign language is the great stereotype for opera around the world. That image grew out of some Wagnerian operas and is really not seen much anymore (even in productions of Wagner's operas today!). Today's trend for opera singers in America and throughout the world is for singers to be believable in their roles - in size, stature, voice and dress.

Opera is expensive.
Actually opera tickets are comparable to the prices of other live entertainment, and in some cases cost less than a major league sporting event (Boston Red Sox or Manchester Monarchs tickets can cost up to $400 for one seat!). Single tickets to Granite State Opera start as low as $12.

Opera is for "blue hairs" only.
Opera is one of the fastest growing of the performing arts with more than 20 million people attending annually. Not only are audiences growing, but they're growing younger too! In fact, one of the fastest growing audiences at the opera is Generation X, whose attendance at opera grew by more than 18% in recent years.

Opera is boring.
Opera is actually a great party - a visual, aural, emotional spectacle that electrifies all the scenes. We like to call it the 'ultimate multi-media art form.' In our very visually oriented society today, we look for and even expect entertainment that dazzles us from all around. Opera, with its spectacular sets and costumes, glorious voices, and stories that tear at our heartstrings, does exactly that, and there is something in it for everyone.

When do tickets go on sale?
Season Tickets (also known as subscriptions) are usually available year-round. Single tickets (individual tickets to a specific opera) typically go on sale one month prior to the opening of the season.

How can I purchase single tickets?
Single tickets for all of our performances are sold by the Capitol Center for the Arts via phone at 603-225-1111 or their web site at www.ccanh.com. Or you may visit the Capitol Center for the Arts Box Office at 44 South Main Street, Concord, NH 03301.

What happens if I'm late?
As a courtesy to the artists and already-seated patrons, we cannot allow anyone into the theater after the performance has begun. If there is an appropriate seating break or scene change in the first act, latecomers may be seated at that time; however, if there is not an appropriate break, latecomers will be seated at the first intermission.

How long are most operas?
Our operas vary in length from two and one-half hours to three and three-quarters hours. They typically have between one and three intermissions.

What's the difference between a Broadway musical and an opera?
Actually Broadway musicals and operas are very similar. In fact, many consider the Broadway musical as America's version of or contribution to opera. Purists say the difference between Broadway and opera is that Broadway contains spoken dialogue and opera is completely sung through. However, there are many operas that have spoken dialogue (Mozart's The Magic Flute for example) and there are musicals that are completely sung through (Andrew Lloyd Webber's The Phantom of the Opera for example.) Now what primarily remains the biggest distinction between Broadway and opera is that in a Broadway musical all the singers are electronically amplified with microphones, while opera singers are not amplified. And to many, the magic of opera is just that, hearing such glorious sounds and volume being produced solely by a human being.

Opera inspires some of your favorite Broadway musicals.
Elton John and Tim Rice's Aïda is a retelling of Verdi's opera by the same name. The popular show Miss Saigon is based on Madama Butterfly, and the smash hit Rent is based on La Bohème.

Opera is featured in many television commercials.
There are more than 65 companies that have used opera in their television ads, including Nike, Sony, Pepsi, Dunkin Donuts, Ford Motor Company, Pizza Hut and MasterCard.

Opera has been featured in major motion pictures.
Opera's dramatic elements and music lend themselves well to the movies and have been featured in movies too numerable to count, including G.I. Jane, The Fifth Element, Life is Beautiful, Apocalypse Now, The Mirror Has Two Faces and Hannah and Her Sisters.

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